About
I firmly believe the goal of any colorist is technical efficiency, good communication, and pure creativity. Most simply put, I value innovation and happy clients.
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Most recently, I have been the main colorist at Formosa Interactive's post-production division in Seattle. Before this, I worked in the same role at the creative agency Clatter&Din as their main colorist and video editor, where for five collective years I worked alongside producers, audio engineers, sound designers, video editors, art designers, and more.
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My long-form work as a colorist is featured in John Deere’s Odd Hours, No Pay, Cool Hat documentary (2022), Eddie Bauer’s documentary Breathtaking – K2: The World’s Most Dangerous Mountain (2020), Patagonia’s documentary Drop – Water Connects Us All (2021), and Valve’s Dota tournament True Sight: The International Finals (2021). My commercial clients include Eddie Bauer, The North Face, TomboyX, Mod Pizza, Patagonia, and Amazon.
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I'm work directly with clients in the color suite, and, when I'm not doing that, I conduct remote sessions resulting in real-time collaboration with clients anywhere in the US. I am a certified Davinci Resolve user, and a constant learner with a positive attitude, finding joy in working with others on projects of all complexity levels.
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While raised in Seattle, WA, a common thread throughout my life has always been art, movies, stories, computers, and technology, and what I have found in post-production is a wonderful blend of each of these.